Fly anywhere, any time, through anything. One crew covers everything from a single impossible shot to a full production, and we bring our own on-set kit so your day runs smoothly.
What we offer
Every brief is different. Pick one service or combine several, and we'll shape the crew and kit around the shot.
Cinema-grade FPV shots for films, commercials and music videos. We choose the camera with you to match the look of your production.
Bring FPV into a live show. We deliver low-latency feeds straight into your switcher, OB van or stream.
Seamless one-take fly-throughs that show a whole space the way a visitor would feel it.
Stage dives, crowd sweeps and performance one-takers, trusted by artists such as Reza Sadeghi, Ali Yasini, Armin Zareei and Majid Razavi.
Promotional and internal films that link locations, follow a journey and mix handheld with flying shots in one flowing take.
Festivals and live events are fully pre-produced with a strong focus on risk management and safety.
Chase shots with real speed and energy, from cars on the road to motocross in the dunes.
Planned flight paths, sometimes with actors and extras, for TV formats that need repeatable, rehearsed shots and more flexibility in post.
From concept to final master, with one team and one point of contact.
The fleet
From whisper-quiet indoor whoops to heavy-lift cinema rigs, and drones that crawl slowly or race. If the drone you need doesn't exist, we build it.
Class 01 · Cinewhoop
Under 250 grams with ducted propellers. Made for indoor tours, festivals and flying close to people.
Class 02 · Cinema lift
A heavy-lift build that carries full-frame cinema cameras, with an HD downlink for the director and post-stabilised footage.
Class 03 · Gimbal chase
A pilot flies while a camera operator controls the gimbal. Perfect for car chases and dynamic, independent camera angles.
Safety first
The most daring shot is worthless if it isn't safe. Every flight is planned, briefed and spotted.
We recce the location, map hazards and plan flight paths before shoot day.
A dedicated spotter watches the airspace while the pilot flies the shot.
Only small guarded drones fly close to performers and guests.
We coordinate with venues, organisers and authorities where a flight needs approval.
Who we fly for
What you receive
Delivered in log for your colorist, or fully graded by ours.
Finished films cut, graded and mixed in-house.
Vertical 9:16 edits for Reels and Stories.
SDI or HDMI output for broadcast and big screens.
From lightweight action cameras for indoor work up to full-frame cinema cameras on our heavy-lift rigs, such as the Sony FX3, the Sony a7 series and the Blackmagic Pocket Cinema Camera. We choose the setup with you, based on the look you want and the location.
Safety is planned before we fly. Every job gets a risk assessment and a crew briefing. Near people we only use small guarded drones under 250 grams, and a co-pilot acts as spotter during every flight.
As early as you can, especially for concerts, festivals and anything that needs permissions. Send us your date and we will confirm availability.
Yes. Our in-house editor and colorist handle the edit, color grading and sound, delivering finished films plus vertical cuts for social media.
Mention it in your brief and we will include raw files in your quote.
Let's plan it
Send a short brief with the location, the date and your idea. We'll reply with the right setup and a quote.
